by Molly Hankwitz Microcinemas, as artistic social networks, guerrilla experimental spaces of resistance to dominant media, and for an intimate expression of cinema are of great personal interest to me. I ran a microcinema in Brisbane, Australia for ten weeks…

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by Faith Arazi I first came across Kathryn Ramey’s Experimental Filmmaking: Break the Machine (Focal Press, 2015) a couple months ago, when an old professor of mine forwarded me a pirated copy. Up until this point, my understanding of experimental…

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by Mike Mosher Put your finger in, on, Jim Shaw’s hole; the whole finger. At his 2015 Mass MOCA exhibition “Entertaining Doubts”, over a hundred of his artworks spanned twenty thousand square feet of the massive North Adams, Massachusetts Museum…

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by Lynne Sachs Gunvor Nelson Editing Class Notes (PDF)   Gunvor Nelson was an extremely influential teacher of mine. Between 1985 and 1995 I lived in San Francisco and was deeply inspired and supported by other artists and curators in…

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Interactive artwork! Mouse over thumbnails to hear more; click on thumbnails to see more. Or sit back and let it play automatically, forever! (Full screen button at lower left corner, over number 552.) Lost Leaders: www.lostleaders.ca Korsakow System: www.korsakow.org The Countdown at the…

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    I. The Transformable Moment The moment is an indefinite measure of time into which almost all experience falls. It is the conclusive present and it permeates all written past. It forms in our vision and consciousness. History enters…

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  To have a complicated relationship with time is to be human. We are all hourglass figures, living our lives stuck between the past and the future, trying to find the present moment and be there before our time is…

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